During our trip to Copenhagen, we began experimenting with analog photography, which added a new dimension to how we approached capturing moments. This was when I really started to enjoy taking spontaneous portraits—capturing people in the moment, without overthinking poses or setups. There was something special about the unpredictability of film, the way it encouraged me to slow down and be more intentional with each shot. The grain, the tones, and the raw authenticity of analog photography made these portraits feel even more personal and alive. It was a turning point in how I saw and approached portrait photography.